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Caribeños
Orlando Cotto

by Linette Tobin



Caribeños, Orlando Cotto's solo marimba album of Latin American music, stands out as an important work in making this difficult instrument more accessible to a broader base of listeners. Cotto, a Puerto Rican percussionist residing in Baltimore, has received numerous awards. Among these are the Artist Diploma from the Peabody Conservatory of Music (awarded to a percussionist for the first time), Most Outstanding Student at the Conservatory of Music of Puerto Rico, Most Outstanding Young Musician (grant) from the R.J. Reynolds Tobacco Company, and Winner of the Yale Gordon Concerto Competition. His mastery of the marimba, his musicality, and his particular attention to detail are apparent in each and every number on Caribeños. The album contains a variety of material from Venezuela, Puerto Rico, Argentina, and Cuba, and a multitude of rhythmic styles such as traditional Afro-Cuban, guaguancó, bomba, plena and tango. Cotto collaborated with flutist Alison Potter and violinist José Cueto, as well as with Giovanni Hidalgo on the title track Caribeños that was specifically written for Cotto and Giovanni. This album does a wonderful job of displaying the range and depth of the marimba as a solo instrument. Almendra shines with Cotto's improvised solo with the right hand, while he maintains the bass pattern with his left. On Piedra en la piedra, he adds the additional challenge of tapping clave with his foot on a pedal woodblock. Cotto also plays the Peruvian cajón (South American wooden percussion box with one open side) on Misionera, and the congas and timbales on Almendra. This CD is noteworthy for focusing as much on the melodic capacity of the instrument (valses venezolanos) as on the rhythmic (Cuba y Puerto Rico son...) It is not only filled with musical mastery, but is simply a delight to listen to due to Cotto's ability to navigate through demanding passages with seeming ease. The liner notes are an added bonus, as they are quite informative and contribute greatly to a more thorough understanding of the musical selections.



African Instruments in Cuban Music. Rumbaut, Luis. CLAVE Vol.1 No. 3, September 5, 1998.

A Short History of The Colonial Villancico of New Spain. Oetgen, Susan. CLAVE Vol.2 No.4,November/December, 1999

Baião: A Dance Rhythm from Northern Brazil. An Interview with Leonardo Lucini. Berre, Marietta. CLAVE Vol.I, No.2 June 5, 1998. ©

Bolero. Rumbaut, Luis. CLAVE Oct-Dec. 2002. ©

Cantares: Voices of the Costa Rican People. Morera,Sabino. CLAVE Vol.II No. 2, May/June, 1999. ©

Chamber Music a la Cubana Comes to Washington DC. Rumbaut, Luis. CLAVE Vol.I, No.1 April 5, 1998.

Charango (Latin American Instruments Series). Rumbaut, Luis. CLAVE Vol.II No. 1, March 1, 1999.

Charanga: Then and Now. Grossman, Connie. CLAVE Vol.II No. 3, July-August, 1999. ©

Chucho Valdés at the Levine School of Music. Giménez, Carlos. CLAVE Vol.I No. 3, September 5, 1998.

Clave: The African Roots of Salsa. Washbourne, Christopher. Originally published in Kalinda! (Fall):14, 10-13, 1995. CLAVE Vol.I, No.1 April 5, 1998 ©.

Crisis in Latin American Arts. Rumbaut, Luis. CLAVE Vol.3 No.1, Aug/Sep, 2000.

El Salvador: Music and History Rumbaut,Luis. CLAVE Vol.3 No.2 November/ 2000.

Guateque. The Folkloric Ballet of Puerto Rico. Polen, Danielle. CLAVE Vol.I No. 3, September 5, 1998.

Lázaro Batista. Cuban Poeta and Painter. Tobin, Linette. CLAVE Vol.3, No.1 Aug/Sep,2000.

Livid Legends: A Conversation with Richard Egües. Giménez, Carlos. CLAVE Vol.II No. 3, July-August, 1999. ©

Music and History of Venezuela. Rumbaut,Luis.
CLAVE Vol.4 No.1 November/ 2002.

Nostalgic Cuba in Washington DC. Rumbaut, Luis. CLAVE Vol.1, No.2 June1998.

Peruvian Folklore Revisited Berre, Marietta. CLAVE Vol.2 No.4, September, 1999.

Reflections On A Dance Workshop in Santiago de Cuba. Lepore, Jim. CLAVE Vol.2 No.4, September, 1999.

Reviving Vallenato--Gustavo Nieto and Sencación Vallenata. Giménez, Carlos. CLAVE Vol.II No. 1, March 1, 1999. ©

Steel Pans: A Brief History. Berre, Maxens. CLAVE Vol.II No. 1, March 1, 1999.

Tango and Milonga: A close relationship. Mauriño, Gabriela. CLAVE Online June, 2001.

The African Components of the Folk Music of Venezuela– A Conversation with Jesús "Chucho"García
Giménez, Carlos. CLAVE Vol.II No. 3, July-August, 1999. ©

The Batá Drums. Corrales, Mark. CLAVE Vol.1, No.3 Aug/Sep 2000.

The Challenging Art of the Bandoneon.Oetgen, Susan.CLAVE Vol.II No. 2, May/June, 1999.

The Marimba. Tobin, Linnete CLAVE Vol.3 No.2, November 2000.

The Peruvian Cajón Giménez, Carlos. CLAVE Vol.2 No.4, September, 1999.

The Songs to the Gods of Santería.Rumbaut, Luis. CLAVE Vol.3, No.1 Aug/Sep,2000

The Value of an Artist. Giménez, Carlos. CLAVE Vol.2 No. 4, September, 1999.