|
|
|
|
|
Between Here and There
Imani
Platinum Group Unlimited
By Susan K. Oetgen
|
 |
|
The distance between here and there would be impossible to travel without clear vision and a good set of directions. Imani is blessed with both on her new release, Between Here and There. This album invites us to follow her not only through an out-of-the-ordinary jazz repertoire, but also through sounds and impressions of distant places and times. What might seem at first a scattershot selection of jazz, pop, folk, and "world" music becomes a colorful mosaic of image and feeling and spirituality held together by the consistent authenticity of Imanis vocal presence. She sings every song with her soul rooted firmly in it, and knows exactly what part of the journey it is. It helps that Jon Ozment (piano), Pepe González (bass), Rod Young (drums) and Ekendra Das (percussion) are also consummate artists; they faithfully accompany Imani through this varied terrain, but always remain grounded in a crisp jazz swing. Contemporary jazz may be the "here" of this albums departure, but its undeniable destination is the eruption of musical joy on the last track, Contemplation/Yemayá, a piece ending and beginning with a traditional chant to the Yoruba deity of the oceans. Imani brings us "there" on the crest of her creativity and passion.
|
 |
 |
 |
|
African Instruments in Cuban Music. Rumbaut, Luis. CLAVE Vol.1 No. 3, September 5, 1998.
A Short History of The Colonial Villancico of New Spain. Oetgen, Susan. CLAVE Vol.2 No.4,November/December, 1999
Baião: A Dance Rhythm from Northern Brazil. An Interview with Leonardo Lucini. Berre, Marietta. CLAVE Vol.I, No.2 June 5, 1998. ©
Bolero. Rumbaut, Luis. CLAVE Oct-Dec. 2002. ©
Cantares: Voices of the Costa Rican People. Morera,Sabino. CLAVE Vol.II No. 2, May/June, 1999. ©
Chamber Music a la Cubana Comes to Washington DC. Rumbaut, Luis. CLAVE Vol.I, No.1 April 5, 1998.
Charango (Latin American Instruments Series). Rumbaut, Luis. CLAVE Vol.II No. 1, March 1, 1999.
Charanga: Then and Now. Grossman, Connie. CLAVE Vol.II No. 3, July-August, 1999. ©
Chucho Valdés at the Levine School of Music. Giménez, Carlos. CLAVE Vol.I No. 3, September 5, 1998.
Clave: The African Roots of Salsa. Washbourne, Christopher. Originally published in Kalinda! (Fall):14, 10-13, 1995. CLAVE Vol.I, No.1 April 5, 1998 ©.
Crisis in Latin American Arts. Rumbaut, Luis. CLAVE Vol.3 No.1, Aug/Sep, 2000.
El Salvador: Music and History Rumbaut,Luis. CLAVE Vol.3 No.2 November/ 2000.
Guateque. The Folkloric Ballet of Puerto Rico. Polen, Danielle. CLAVE Vol.I No. 3, September 5, 1998.
Lázaro Batista. Cuban Poeta and Painter. Tobin, Linette. CLAVE Vol.3, No.1 Aug/Sep,2000.
Livid Legends: A Conversation with Richard Egües. Giménez, Carlos. CLAVE Vol.II No. 3, July-August, 1999. ©
Music and History of Venezuela. Rumbaut,Luis. CLAVE Vol.4 No.1 November/ 2002.
Nostalgic Cuba in Washington DC. Rumbaut, Luis. CLAVE Vol.1, No.2 June1998.
Peruvian Folklore Revisited Berre, Marietta. CLAVE Vol.2 No.4, September, 1999.
Reflections On A Dance Workshop in Santiago de Cuba. Lepore, Jim. CLAVE Vol.2 No.4, September, 1999.
Reviving Vallenato--Gustavo Nieto and Sencación Vallenata. Giménez, Carlos. CLAVE Vol.II No. 1, March 1, 1999. ©
Steel Pans: A Brief History. Berre, Maxens. CLAVE Vol.II No. 1, March 1, 1999.
Tango and Milonga: A close relationship. Mauriño, Gabriela. CLAVE Online June, 2001.
The African Components of the Folk Music of Venezuela A Conversation with Jesús "Chucho"García
Giménez, Carlos. CLAVE Vol.II No. 3, July-August, 1999. ©
The Batá Drums. Corrales, Mark. CLAVE Vol.1, No.3 Aug/Sep 2000.
The Challenging Art of the Bandoneon.Oetgen, Susan.CLAVE Vol.II No. 2, May/June, 1999.
The Marimba. Tobin, Linnete CLAVE Vol.3 No.2, November 2000.
The Peruvian Cajón Giménez, Carlos. CLAVE Vol.2 No.4, September, 1999.
The Songs to the Gods of Santería.Rumbaut, Luis. CLAVE Vol.3, No.1 Aug/Sep,2000
The Value of an Artist. Giménez, Carlos. CLAVE Vol.2 No. 4, September, 1999.
|
|
 |